The art Nigel Peake combines a love of the ordinary and the everyday with his skill in drawing. His attention to detail means we can appreciate his eye and what he sees, how he sees.
While, in a way, quirky – take some time to look and you find intricate patterns and lines. Take some more time and try it for yourself, you realise the level of skill and type of artist that he is. Find some paper, some fine markers and see for yourself. It’s therapeutic and considered but the rewards as you will see are most definitely worthwhile.
Finally… you actually have some time to tick off a few things off your list… and acquire some those skills you have always said you would. Just imagine, your life long goal of artistic personal satisfaction is just around the corner! Refreshing those art skills or getting back into practical art is so rewarding and personally satisfying – with others in a class or individually.
Currently, I lead workshops for those that “have always wanted” to get back into some artmaking or those who wonder if the high school approach to art has changed much over the years. Fortunately, for tutor and student it has indeed changed and adult art classes allow for a range of possibilities and learning styles to be customised and developed to suit your own needs and wishes.
The artwork above, created by an adult student, demonstrates some of the skills and approaches towards artmaking. Where making mistakes and trying out something new is encouraged. Art making in 2018 is about being open to new ideas and seeing things from a different perspective perhaps or in a new light.
If this is on your bucket list, now is time to be creative, to get that green coloured pencil and tick this one off your list.
Message me here to organise a group class or a one-to-one personal art tutor. Follow me at https://www.facebook.com/theartfulteacher
As someone who has been around the making and buying end of art both in Australia and overseas, many people come to me asking who is the latest or best buy.
Really, most of these people are just afraid of making a wrong investment. They want some sense of security in knowing what they are buying. While no “investment” is secure in a sense, I offer creative and expert advice on opportunities, ideas for private collections.
This link provides some information on what to expect from an art advisor generally. The demystification is what I consider a large part – whether of the art market, in choosing artwork or looking at individual artists
What is the latest work you have bought? Or wanted to buy?
Titled “This Space we Have” 2017, this digital artwork has been submitted for a public art project. An aspect of the brief related to light and whimsical. The title refers to both a public space we have through the art project but also, references to suggestions of space within the artwork itself.
The geometric lines and abstraction allows viewers to perceive parts of things that may refer to aspects of the real but also from imagined or memory. The sense of fun through colour and design could be more prevalent in architecture. Forego the sense of seriousness for just a little and let that creative and freedom loose – just a little.
The colours are obviously bright, a definite change from my cooler, often more somber hues.
The latest (THIS WEEK!) instalment of my workings with structures and abstraction. The variations of space and layering continues to provide visual interest as well as inspirations for an imagined connection of ideas and lines, shape and colour
Have trouble imagining what my work will look like on your wall? Or the best place to position my pieces in your own place?
This app iArtView allows you to “see before you buy”.
Being a digital work, size is variable and can be accommodated to fir a large or smaller space. The featured piece is my latest addition to the After the Figure series. Check my contact page for details and pricing
The ability for artists to see and develop ideas is imperative – beyond the usual and everyday. Creativity isn’t for the faint hearted.
In abstract works, people often like to “see” something represented. “It looks like a…” or “I can see a ….there in the painting”. While looking and thinking is good way to start looking at an artwork. Accepting the lines and shapes and colours as an arrangement is equally valid.
These works are made “after” a figure drawing. In a way, a remnant but also like a phoenix too – rising from erasing and working over part of the initial drawing. It references too, the cityscapes from earlier works. The style and overlapping flatness returns.
Can you see the figure? Can you see the city? Does it matter? What do you see?